In the movie Murder, a man named Lugosi plays Svengali. He uses potions and powders to turn a young woman who is about to get married into a zombie. It's pretty dry and wooden, but it gave Rob Zombie an idea for a musical project.
A low-budget zombie action-drama, shot entirely on SUPER 8, featuring a combination of cringe-inducing amateur acting performances and touches of unexpected professionalism, The Dead Next Door was produced by Sam Raimi, using a portion of the proceeds from Evil Dead II to allow friend J. R. Bookwalter to direct the film.
After a military private who has also been zombified turns them, a group of lazy buddies think they have become super soldiers. The film follows a similar told from the perspective of the zombie framework to Colin, but with a creative, comic twist.
As refugees, some white people accept the worst parts of colonialism.
In Let Sleeping Corpses Lie, the dead are roused up by sound waves.
Wes Craven's 1988 film The Serpent and the Rainbow is an unexpected revival of the voodoo-style Haitian zombie, and a reminder that it's probably still possible to make a "voodoo zombie" movie that takes itself semi-seriously and aims to scare.
Juan of the Dead infuses political fervor into the genre of zombie films by having the protagonist, Juan, establish a company that quickly gets out of hand.
In Romero's last picture, the zombies evolve into sentient humans, with Dennis Hopper portraying an evil plutocrat reigning over a walled version of Pittsburgh. It isn't as nuanced as his earlier films, but it looks excellent and has just enough of Romero's rebellious spark to make it enjoyable.
63-minute The German Film Rammbock. During a zombie outbreak, Michael, a sad sack who is deceiving himself, travels to his girlfriend's apartment.
A squad of cops attack a mainly deserted apartment high-rise to apprehend a gang of drug traffickers who murdered one of their own, and 20 minutes later... a swarm of zombies arrives!
In a New England seaside village, a string of fatalities happens, with individuals resembling the victims. These zombies are self-contained and self-sufficient.
One Cut of the Dead is a film on a shoestring budget and DIY mindset, depicting the creative energy and adaptability of low-budget filmmakers like as George Romero.
Peter Jackson's horror-comedy Dead Alive is one of the genre's best triumphs, including a room full of zombies and a lawnmower that continues to operate despite being clogged with 1,000 gallons of blood.
The movies Paranormal Activity and Romero's Diary of the Dead both came out in 2007. The best found-footage zombie movie is REC, which mixes zombie legends with Catholic spirituality.
In blog the modern age, a zombie apocalypse would be caught on everyone's phone. This film is a fantastic depiction of what it may be like.
Day of the Dead redefines the attributes of the classic Romero ghoul, and introduces "Bub", maybe the single most iconic zombie in Romero's oeuvre, who displays a unique level of personality and even humor.
By the time 28 Days Later came out in 2002, the classic zombie film had all but died, but the film resurrected the notion and made zombies a serious danger. It also gave rise to the notion of the serious zombie film in the twenty-first century.
Presentation, professionalism, thematic depth, and visual effects all improve in Dawn of the Dead. It's set in a glitzy mall overrun by zombies, and it has iconic visuals that have been replicated or parodied in subsequent zombie films.